Rozanov Mikhail

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Rozanov Mikhail
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Mikhail Rozanov is a Russian photographer working predominantly in monochrome colours. His works are characterized by extreme minimalism, academic rigor and moderation, while architectural and natural landscapes represent his main subjects.

Mikhail Rozanov was born on July 15, 1973 in Moscow. After studying at the Faculty of History in Moscow State University he joined the circle of artists of the New Academy led by Timur Novikov in St. Petersburg, where he was formed as an artist.

Since 1995, Mikhail Rozanov’s works have been regularly exhibited in Russia (Aidan Gallery, State Museum of Architecture, Winzavod Center for Contemporary Art, ROSPHOTO Museum and Exhibition Center, Multimedia Art Museum, Ruarts Gallery) and abroad (in Germany, Netherlands, France, England, Switzerland, USA, Italy, Lithuania, Mexico and other countries). The photographer takes part in various bienniales (Photo Biennale, Moscow; Biennale of Contemporary Art, Moscow) and art fairs (International Art Fair, Chicago, USA; Art Manege, Moscow, Russia; Art Forum, Berlin, Germany; ARCO, Madrid, Spain; Paris-Photo, Paris, France, etc.) In 2010, Mikhail Rozanov launched his own creative workshop at the British Higher School of Design at the Faculty of Photography and teached there for the next 6 years. He is a member of the Union of Photographers of Russia as well.

Each photo of Mikhail Rozanov is initially conceived in the photographer’s mind. One of the most important process for him is a long theoretical research and detailed exploration of the phenomenon under study as well as the quest for its conceptual embodiment, which always precede a step of taking photographies itself. The author’s creative method consists in his attempts to discover the sublime in everyday life, which would help the viewer to disengage from material objects in order to perceive the usual forms of the world as images of pure sensations. Rozanov’s creativity is characterized by the laconicism of expressive means, and each of the works carries a certain sensual intonation: serenity or dynamics, lightness or heaviness, tenderness or determination. At the same time, the author does not distort the reality, but only puts into effect the objective mechanisms of perception with the help of the specific angle and ideally accurate, geometrically verified composition.

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