Yulia Agenosova

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Yulia Agenosova
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Born in Kaluga. Graduated from the Faculty of Art and Graphics and the Faculty of Practical Psychology Smolensk State Pedagogical University.

From 2007 to 2014, she directed the art studio of the Center for the Rehabilitation of People with Disabilities.

Since 2017 he has been lecturing on the history of abstract art and leading the practice of creating abstract painting and

ceramics at Tantum Art`s Foundation, Innovative Cultural Center (Kaluga, Russia) and ProArt's gallery.

Participant and laureate of city, regional, regional and international exhibitions and competitions.

In 2019, she was included in the list of the best contemporary artists in Russia (Arteex).

COLLECTIVE EXHIBITIONS

2021 - "After the Icon", State Historical, Architectural and Art Museum-Reserve "Island-Grad"

Sviyazhsk, Kazan, Russia)

2021 - "Graphia" (IKTs, Kaluga-Moscow-Guslitsa-Crimea, Russia)

2020 - "MOSTARTFEST", international festival of contemporary art, (ProArt's Gallery, Kaluga, Russia)

2019 - "Rock and Roll Time" (Central House of Artists, Moscow, Russia)

2019 - "Do not go beyond the horizon!" (Design Center ARTPLAY, Moscow, Russia)

2019 - "AMITIE KALOUGA-MONTPELLIER" (La maison des Relations Internationales Nelson Mandela, Montpellier,

France)

2018 - Bunin Seasons (Nautilus Gallery, Grasse, France)

TRADE FAIRS

2021 – Cosmoscow International Contemporary Art Fair (Manege Central Exhibition Hall, Moscow, Russia)

2020 – Cosmoscow International Contemporary Art Fair (Gostiny Dvor, Moscow, Russia)

2019 – Cosmoscow International Contemporary Art Fair (Gostiny Dvor, Moscow, Russia)

2018 – Congresium International Convention & Exhibition Center "4th contemporary art fair ARTANKARA" (Ankara, Turkey)

Yulia Agenosova's projects are the artist's reflection on the fragility of human existence. The world

seems to the author to be weightless, illusory, "hanging by a thread", evanescence, existence, the inevitability of the end, physical vulnerability, when a person's life is fragile and fickle -

the leitmotif of the artist's work.

Author names the works created by the artist using the technique of scratching on wet paint as «petroglyphs". This technique is best suited for the image such a complex, controversial material as human hair. "Hair", as a material, has special properties for the artist - they keep a secret associated with memory, human DNA, cults and rituals, superstitions and mystical practices.

Sculptures by Yulia Agenosova are made of wire, remotely resembling a bundle, a skein of hair - being to a certain extent a soft and plastic material, it is able to keep its shape. At there is always a risk that some element will change the form, and hence the content.

Sculpture does not have a frozen, dead, fixed form once and for all - it is mobile, flexible, like itself.

life.

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