Porcelain occupies a special place in my work. Feeling my own character in it, I have no goal of subordinating it to myself, I try to find a compromise between what I want to say as an author and how this material would like to express itself.
I want to use the properties of this material - whiteness, strength, transparency - in unusual forms, direct, with a lively character. I often take the details of objects and textures taken from real things, plants, and combine them so that the work turns out to be paradoxical, strange. I am attracted by such a synthesis - a reality-copying surface with an unrecognizable form.
In ceramics, I explore what I can't afford to do in porcelain, mostly large volume, or when you want the brightness of colors, a special texture. Like any clay, it is infinitely variable and ready to embody any idea.