Untitled
Born in Leningrad (Saint Petersburg). Began her artistic journey at the age of 5 at Olga Nekrasova's studio in the Hermitage, followed by the B. V. Ioganson Leningrad Secondary Art School of the Russian Academy of Arts, the I. E. Repin Institute of Painting, Sculpture and Architecture (studied graphics — did not complete), and the Herzen State Pedagogical University of Russia, where she studied painting.
Member of the Artists' Union.
From 2016 to the present — resident of the Open Studio "Nepokorennye 17" (The Unvanquished 17).
Winner of the Sergey Kuryokhin Contemporary Art Award in the "Visual Art" category (2022, for work in 2021). Winning project: "Psychopath's Comics".
Longlisted for the Sergey Kuryokhin Contemporary Art Award in the "Visual Art" category (2023, for work in 2022). Project: "INTEGRATION".
Shortlisted for the Moscow Art Prize in Contemporary Art (2023). Project: "INTEGRATION".
Her works are held in private collections in Russia, Germany, France, Ecuador, the USA, Spain, Greece, Italy, and Latvia. Works are also included in the Imago Mundi Benetton Collection Foundation, Italy, and the Copelouzes Family Art Museum, Greece.
Artist's Statement:
I believe that an artist, regardless of what they depict or intend to depict, cannot help but experience direct or indirect pressure from the events of their time. Inevitably, the artist's thoughts connected to these events are transmitted onto the canvas. Essentially, if you were to dissect them, my paintings contain a great deal of the personal.
I am an enemy of obvious narratives, so my communication occurs through symbols, colour, and an idiomatic transmission of information. I am fascinated by what the viewer sees without reading the accompanying explanatory texts for a work. This is no less valuable than the author's own message.
One of my primary tools is colour. "With it, I express emotions; through it, I convey meaning. Colour can be used to alter the perception of what is happening on the canvas: the contradiction between colour and semantic choices opens the possibility for other interpretations of the work."
I am profoundly interested in experiments that alter the semantic perception of a work through such seemingly primitive tools as colour and tactility. Changing the habitual, traditional colour, scent, or tactile sensations sends a different signal to the viewer's brain—that is rather amusing. This is precisely what is 'contemporary' — the perception of tradition through its violation.
42
60
Submit an application
We will inform you about the availability of the product by phone after checking
