A Leaf Against the River Current
A work from the "Water" series.
In the “Water" series, the artist explores the moment when what already exists becomes visible. Rather than applying an image, he allows the natural grain of the wood to emerge on its own. The plywood’s organic structure reveals itself through the viewer’s gaze. The screen ceases to be a surface for projection, creating a space where the unnoticed can be seen.
In his work, the artist approaches shyness not as a character trait but as a mechanism of visibility: a delay between intention and action, a moment of an "almost-event" in which reality is already emerging, yet still slipping away. Within this pause, identity takes shape, and the act of looking becomes a process of producing meaning between attention and distraction, trust and doubt, the private and the shared.
His current practice is centered on being absorbed by the screen as a mode of presence: on how the surface of the broadcast holds the gaze, how the format shapes perception, and how value can be extracted from digital flicker. Not in the form of a "correct" meaning, but as an opportunity to perceive reality anew beyond the screen. The artist does not promise clarity; instead, he tunes the signal so that viewers can become aware of their own way of looking.
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