The sense of wonder
Kawarga began his career as a painter and got his original art form among Moscow non-conformists. The flat surfaces gained more and more pronounced facture, and became ever more monumental; forms started to emerge in the manner of reliefs, and finally turned into sculptures.
Currently, he works with a wide range of polymers that serve as the material of large-scale landscape sculptures and miniature detailed compositions.
A big cycle of his works called Science-Art, because in addition to the monumental sculptures and elaborate reliefs, he also produces kinetic and interactive installations, complete with biofeedback devices and robots.
His work synthesizes science, art and technology, and he often involves engineers and programmers in the creative process.
His style has been variously described as "biomorphism" or "biogenic art," while his insistence on the end of anthropocentrism has caused others to call him a practitioner of "post-human" art.
Objects of landscape art are in the permanent exhibition of Nikola Lenivets Park (Kaluga region), the park of the Chateau Gutch Hotel (Lucerne, Switzerland), in the Sergey Kuryokhin Museum (St. Petersburg), in the Museum of Academician I.P. Pavlov in Koltushi, as well as the Kawarga Skete in the village of Veliky Dvor (Leningrad Oblast).
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