Milk and Honey
"A land flowing with milk and honey" — so the Lord described to Moses the land promised to his people. Gor Chakhal sets a frame of honeycomb on crumpled parchment printed with an image of the Milky Way: the promise given to a people rests on a galaxy named for that same milk.
The work is edible. At the opening, guests are served honey from the comb and the frame is replaced as required: the promise is consumed and renewed. What is promised cannot be possessed — it can only be shared.
Terms of acquisition. The work is consumable and renewable. The collector acquires a certificate of authenticity together with the artist's instructions for realising the installation: the specification of the frame and the procedure for replacing the honeycomb. The right of realisation is granted in perpetuity.
Gor Chakhal is one of the pioneers of multimedia art in Russia.
A mathematician by training: in 1985 he graduated with distinction from the Moscow Engineering Physics Institute, specialising in applied mathematics. A poet and the author of musical-poetic performances. In the late 1980s and early 1990s he was part of the Moscow art underground and rock scene. Founder of the performance groups Parallel Actions (1985–1987) and Teatrpost (1987–1988), and author of a series of actions made together with the art group World Champions (1988). In 1989 he played the leading role in Oleg Teptsov's film The Initiate. His first solo exhibition was held in 1990 at Pervaya Gallery, Moscow.
Fellow of the Akademie der Künste, Berlin (1995–1996) and of MuseumsQuartier, Vienna (2004).
Since the late 1990s he has explored Christian subject matter, bringing together contemporary art, scientific method and theological discourse. Unlike much of post-war art, whose engagement with religion is critical or deconstructive, Chakhal works from within the tradition: for him the Christian canon is not an object of analysis but a source of form. The central task of his method is to close the rift between beauty and truth that twentieth-century artistic culture held to be irreparable. A work of art, for Chakhal, is not a finished object but a process — an act of concentrated interaction between artist, image and viewer.
Honorary member of the Russian Academy of Arts (2014) and corresponding member of its Department of Contemporary Art Movements (2022).
His work is held in the collections of the State Tretyakov Gallery, the State Russian Museum, the Moscow Museum of Modern Art and in private collections.
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