Prey 1
In the series of copper objects, the artist appears to capture an impossible moment — the instant of a bird suspended mid-flight, frozen within its own trajectory. These forms are perceived as traces of movement, as imprints of a path suddenly transformed into matter. Metal preserves what, by its very rigid nature, it cannot truly retain: speed, the flow of air, the inner impulse of upward motion.
Within these works, movement becomes both image and residue — something simultaneously vanished and materially present. The surface of hammered copper carries the tension between weight and lift, permanence and transience, solidity and disappearance.
A special role in the project is played by the frames, which reference the aesthetics of tramp art and the traditions of handmade vernacular objects created outside academic art. Their forms recall constructions assembled during long train journeys by cigar vendors — intricate geometric frames emerging through meditative manual labor and the attempt to occupy the endless duration of travel.
**Multidisciplinary artist working with carpet weaving, lace-making, objects, and experimental graphics.**
The key themes of their work are duality and sensual contradictions, which find expression in the contrasting combination of images and materials.
Drawing inspiration from outsider art, folk art brut, and naive visual systems, the artist deconstructs craft techniques, reinterpreting them through a fusion of traditional materials and experimental artistic methods.
Their practice is built on the clash of opposites — fragile and rigid, decorative and raw, artisanal and contemporary — shaping their own visual language and system of imagery.
Through the deconstruction of decorative elements and ornamentalism, the artist constructs their own mythology, in which folk motifs merge with a contemporary artistic language, becoming a means of exploring cultural codes and inner states.
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